The exhibition (M)OTHER TONGUES at Four Boxes in Skive, Denmark was centered around an investigation of language as the foundation for a design methodology. The linguistic systems we use to designate aspects of our reality are key in its definition. From the forms of the characters in our alphabets, to the way we project the spheric globe onto a flat surface, or the anatomical representation of the human body, these visual languages are decisive in every aspect of society and culture and as their designers we are responsible for their effects.

The exhibition was accompanied by a catalogue which was the result of a one week workshop by Alexis Mark with the students of Krabbesholm’s graphic design department, leading up to the opening. In the workshop and catalogue the students were invited to freely reflect on the content and themes of the exhibition and to use it as a starting point for developing visual languages of their own.

Exhibition photos by Per Andersen.

The Live Archive is an installationary medium which speculates in the simultaneous transmission and archiving of time-based work and performance art. Based on the idea of an ever subjective interpretation in registering art and an increasingly decentralised user/consumer experience, The Live Archive utilises the Internet to, through sound and still-images show and record performances in a reflexive relationship in which both the performers and the public's environment are summarised. These "actors" are both transmitted and archived in a formatted, idiosyncratic and seemingly endless stream of images and sound. The Live Archive is both an active tool for viewing and transmitting present events, as well as a passive container for the storage and reliving of past events.

The Live Archive is developed by Alexis Mark for Annual Reportt on the occasion of our participation at the Alt_Cph 18 art fair, and realised in collaboration with a series of invited artists and collaborators from Denmark and abroad. The contributions of these collaborators was broadcasted continuously throughout the fair. Between these performances, parts of the fair’s other activities were transmitted through the platform into the Internet. In this way, contributors who were not physically present were allowed input in the fair, while in turn the fair itself was made available for viewing outside of its physical premises.

In collaboration with fanfare, KLD Repro and Sabine Kongsted.

Website is live here

Website and art direction for the release of the 2018 EP It's A Mad Love by When Saints Go Machine.

Website is live here

Poster for a lecture series at The Royal Danish Academy of Fine Art's School of Design

A collection of Immanuel Kant's historical philosophical texts. Edited by Morten Haugaard Jeppesen, Carsten Fogh Nielsen, Christoffer Basse Eriksen og Eva Krause Jørgensen. Published by Forlaget Slagmark.

Identity, posters and catalogues for Huset for Kunst & Design. Huset for Kunst & Design is an exhibition, dissemination, production and knowledge center for new art and design. It serves as space for interaction between proffessional artists and designers, primarely through the realisations of exhibitions, talks and other events. Curated by Anna Bak.

Edited by Mikkel Flohr, Benjamin Ask Popp-Madsen, Kasper Mikael Jacek & Mathias Hein Jessen. Published by Forlaget Slagmark.

51 texts from the Russian revolution with short contextualising introductory texts by the editors, comprehensive timelines and a glossary that supports the reader in understanding the primary texts of the revolution.

Perspecta: The Yale Architectural Journal is published yearly by Yale University and MIT Press.

In texts, images, and studio projects, Perspecta 50 explores broad questions facing urbanism and architecture today, including the effect on urban housing of migration and the blurred boundaries between the formal and informal city. The contributors—architects, urbanists, and academics—identify and critique distinct urban typologies and architectural devices used globally to divide. Among the contributions are Dana Cuff’s essay on spatial politics in Los Angeles, Jenny Holzer’s reminiscence of guerilla art in the 1970s and 1980s, Gary McDonough’s investigation of “soft portals” in global Chinatowns, and Studio Gang’s vision of “Polis Station.” Perspecta 50 invites readers to question the inevitability and ubiquity of urban divides. Perspecta 50 is edited by Meghan McAllister and Mahdi Sabbagh.

Promotional posters for festival Curatorium.

Can the story of an event create the events own reality? Curatorium is a non-event celebrated on an annual basis, through which the presentation of a number of new works by Danish and international composers and sound artists are experimenting with the relationship between narrative and artwork. Curatorium is interested in the narrative battle as a range of opportunities for work creation between physical – and imaginary reality. Curatorium is curated by Niels Lyhne Lykkegaard

Website for the Danish artist Julie Riis Andersen. Julie Riis Andersen works across print, sound, text, design, drawing, site-specific projects and interdisciplinary research.

The website is live here.

Curation and communication of the exhibition Sportification & Yes Yes Yes at Annual Reportt.

The exhibition combines and unfolds collected original materials from two research projects initiated by Viaindustriae publishing and COLLI Independent in Rome. In extension to the subjects of these, the exhibition featured (new) works contributed by: Federico Antonini & Alessio D’Ellena (IT), Studio Atlant (DK), Bart de Baets (NL), Giandomenico Carpentieri (IT), Prill Vieceli Cremers (CH), Dallas (IT), Emilie Ferrat (FR), Moonsick Gang (KR/US), Ben Ganz (CH/US), Till Gathmann (DE), Rudy Guedj (FR/NL), Studio Hato (GB), Will Holder (GB), Experimental Jetset (NL), Pauline Kerleroux & Adéla Svobodová (CZ), Maziyar Pahlevan (IR/US), Clemens Piontek (DE/CH), Regular Practice (DK/UK), Shared-Space (BG/KR), Dexter Sinister (US/GB), Batia Suter (CH/NL), Wrong Studio (DK).

Poster/catalogue for the Third Year Exhibition of Funen Art Academy, 2017 curated by Nanna Stjernholm Jepsen. A basement in Pantheonsgade in the centre of Odense served as the odd premises for the exhibition, which marked the end of the students’ undergraduate programme. Installation/exhibition photo courtesey of David Stjernholm.

Visual language developed for the Danish highschool for design, Designhøjskolen Højer located in the southern part of Denmark, near the natural reserve Vadehavet.

The first Danish translation of the essay We Refugees by Hannah Arendt, translated and with postface and epilogue by Mikkel Flohr.

Vi Flygtninge (We Refugees) is not only a depiction of the horrid situation of being a refugee. It is also a political analysis of said situation. Hannah Arendt’s essay shows that the situation of the Jewish refugees was not just a random series of personal tragedies, but a systematic political phenomenon. Her analysis shows the double meaning of being a refugee: On the one hand they revealed the fundamental shortcomings of the political system. On the other, they pointed towards the possibilities of an existence beyond these limitations. Hannah Arendt points out that the Jews were amongst the first to be persecuted and expelled, but they were far from being the last: National minorities, political dissidents and subsequently entire peoples have met a similar fate, during and after World War II. Vi Flygtninge is published by Forlaget Slagmark.

This retrospective print on demand book/PDF edited by Toke Lykkeberg is a 500 pages collection of exhibitions and events from the Copenhagen based artist run Gallery, IMO which existed for five years. The book comes in a variety of different covers and can be purchased HERE.

Identity, posters and website for the exhibition Lean Issues in Kyoto, Japan.

Lean Issues took place at Kyoto Art Center, Japan and celebrated the 150th anniversary of diplomatic relations between Denmark and Japan featuring the artists; Bank & Rau, Henrik Menné, Jacob Kirkegaard, Molly Haslund, Pernille Kapper Williams, Thorbjørn Bechmann, Torben Ribe, Tove Storch and Tumi Magnusson.

The website is live HERE.

Album and a series of single-releases for the conceptual album Vista by Danish composer and pianist August Rosenbaum. Released by Tambourhinoceros.

Curation and communication of the exhibition Meanwhile, in Time at Annual Reportt, 2017.

Meanwhile, in Time was a group exhibition featuring works by a series of artists and designers from USA, The Netherlands, Russia, Switzerland, Turkey, France and Denmark. Despite their differing origins, varying observations and intentions, the presented works were bound together by a relation to the concept of time and its possible mediations. Through different perspectives, the show confronts us with the consequences of the conception of time: parts of what we experience as the passing of time and its impact on our orientation within it.

Participants: Ronja Andersen (DK/NL), Tim Enthoven (US/NL), Joshua Graver (US), Ayşe Köklü (TR/UK), Olof Olsson (DK), Sasha Portis (US), Clément Rouzaud (FR/CH), Maria Trenkel (CH), Olya Troitskaya (RU/UK).

Book and website for fashion designer Shila Gaonkar and her project Accident. The work is an exploration of gender and aims towards finding a third place between “boxes”, bodies, norms and genders, pushing the boundaries between awkwardness and perfection.

Visual identity for the exhibition and bookrelease of Frothing, Foaming & Teeming by Danish artist Asbjørn Skou, both realised at Annual Reportt, Copenhagen. The exhibition serves as a temporary physical index for the publication; the borders between the two porous, as their narratives and figures infiltrate and betray each other. Their story unfolds as fragments of ontological disaster-sites discharged by capitalism in a climate-chaotic age, where uncanny fictions infest geography and sprout visceral monsters, and radical otherness may be a way to resist inside the catastrophe.

Website for Danish ceramics artist Turi Heisselberg Pedersen. The website is set in our custom typeface Bodil. The website is live HERE.